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-by Gianmarco Caselli– An exclusive interview with David Lynch. An unconventional interview, which is a result of questions from students and teachers of a Lucca institute that Lynch hadvisited in 2014 whenhe was in town
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– by Majlend Bramo – Eyes lost in emptiness. Some children playing in the backyard of the Chingari Trust. All of them have a disease related to that night; a night when 3000 people died (other sources says
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-by Lorenzo Masi- Born in Sierra Leone in 1974, Leonard Bundu moved to Florence, Italy, in the early ’90 to reach his mother and to flee from the civil war that was inflaming the country. After starting practice boxing he
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–by Giulia Caruso- More combative than ever, Ken Loach is back on camera. His next film, I, Daniel Blake, is a raw portrait of England’s food banks, of the ranks of the unemployed to the job centers, looking for
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What is a peacekeeping mission? What does life look like during those six months away from home? In March 2015, Giuseppe Cabras went to Lebanon with the Italian soldiers and recounts the experience through his words, but
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by Giulia Caruso Forty years old, badly showing its age, the iconoclastic mockery of Punk resists the ravages of time, an irresistible symbol of a revolution which started in the mid-70s in garages all over the UK and
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-by Valeria Ronzani- Our exclusive interview to Erri De Luca. On the eve of the court decision that could sentence him to 8 months in jail. “I will not appeal. I will go to jail. If the law considers those words of
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-by Luigi Maria Sicca- In order to look at an economy without economisms, this act is the potential answer to the question that identifies this Wordsinfreedom’s section. Economy of culture or culture of economics? –
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-by Giulia Caruso- For the first time, Frank Gill agrees to tell his story. Out in the open, without hiding his identity, he tells us about his past as a member of the IRA. In Belfast, a joyful and thriving city where, however,
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-by Michele Lai- By launching this section, lawyer Michele Lai twists the knife in the wound and points the finger at the procedures of ministerial donation of live performance funding, intending to create an actual observation
