-
-by Tommaso Tronconi- Kinshasa, capital of the Democratic Republic of the Congo: 10 million inhabitants and not a single cinema or a film industry. This is the shocking situation reported by young director Cecilia Zoppelletto in
-
-by Gianmarco Caselli– An exclusive interview with David Lynch. An unconventional interview, which is a result of questions from students and teachers of a Lucca institute that Lynch hadvisited in 2014 whenhe was in town
-
–by Giulia Caruso- More combative than ever, Ken Loach is back on camera. His next film, I, Daniel Blake, is a raw portrait of England’s food banks, of the ranks of the unemployed to the job centers, looking for
-
-by Elisabetta Torselli- The 40th anniversary of Profondo Rosso (Deep Red) is the perfect opportunity to sketch a portrait of the protagonist, David Hemmings. His carrier started as a treble, protagonist of The Turn of the Screw
-
– by Tommaso Tronconi – Thirty years ago, on October 10 1985, Orson Welles died ,one of the greatest cinema directors ever. Everyone remembers Citizen Kane (1941) as an amazing film debut. But according to a
-
EXCLUSIVE INTERVIEW WITH DIRECTOR ALESSANDRO TESEI -by Tommaso Tronconi- What’s hiding behind the Ural Mountains? The first, untold, and most serious nuclear incident in history. Sweeping the dust of time is the mission of
-
-by Simone Soranna- Coppola’s truth. The tales of a movie genius and the advice of a sage. A meeting sponsored by Regione Basilicata was held in Teatro dal Verme in Milan on Monday 26th October with one of the most important
-
– by Giulia Caruso- From the 6th of January, Italian viewers will see him on the big screen walking in Macbeth’s shoes, while later that month, starting from the 21st, he will impersonate Apple guru Steve Jobs
-
– di Massimo Giuseppe Bianchi – Deep Red is 40 years old and and it looks great for its age. An analysis between cinema and music of a masterpiece of the Italian cinema, as well as Argento’s stolen punchlines on
-
– by Simone Soranna – As Benvenuto Cellini reports in a well-known page of his life, here is the flux bronze. Thanks to his first documentary, “The hands’ gesture”, Francesco Clerici was selected for the
